| Evidence: The Art of Candy Jernigan | 
enlarge | Creators: Chuck Close, Laurie Dolphin, Stokes Howell Publisher: Chronicle Books Category: Book
List Price: $29.95 Buy New: $9.65 You Save: $20.30 (68%)
New (15) Used (13) from $9.49
Avg. Customer Rating: 5 reviews
Media: Hardcover Number Of Items: 1 Pages: 144 Shipping Weight (lbs): 2.1 Dimensions (in): 9.9 x 8.4 x 0.9
ISBN: 0811823075 Dewey Decimal Number: 709.2 EAN: 9780811823074
Publication Date: July 1, 1999 Availability: Usually ships in 1-2 business days Condition: BRAND NEW - excellent, clean condition - hard bound -;Photographer-John Bigelow Taylor; Publisher: Chronicle Books, 1999 ed.
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Product Description For eight years after her untimely death in 1991, the evidence of artist Candy Jernigan's life was stored in a quiet Manhattan basement. Drawers and shelves were crammed with paintings, collages, drawings, journals, and eclectic installation pieces like Ninety-nine Bottles of Beer on the Wall-composed of, well, ninety-nine small laboratory bottles of beer on a wall. Little known until now outside a circle of New York's artistic avant-garde, Jernigan's one-of-a-kind talent is finally brought to light in Evidence. The works collected here reveal a fierce and funny creative spirit, an artist whose commitment to documenting life as she really found it led her not only to record sample swipes of the food she consumed, but also to stuff a roadkill rat and lovingly arrange it in a diorama. Jernigan's method-using the precision of a scientist to reveal the souls of discarded objects-makes her advocacy of the overlooked at once surprisingly charming and thought-provoking. Including four gatefolds, Evidence is an art book that gives readers a witty, transformative vision of the stuff that composes our lives-and bears witness to the genius of a truly original thinker.
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| Customer Reviews:
a touching book July 16, 2006 This is a great book. Not only is it well-organized, it also shows a great deal of love and empathy for the artist. Candy's work grabs the viewer's attention like the work of few other artists.
Revolutionises the mundane!!! December 11, 2001 10 out of 10 found this review helpful
This book has become one of my bedside companions, and certainly will make you reflect upon the world in a manner that is foriegn. It is nothing like you will have ever seen, and it is more wonderful than you can imagine.In Candy's world, everything; the smears of sauces, the crusts of bread, the crack vials found in New York, a crushed saucepan, a dead rat and the bottletop nearby Jim Morrison's grave, become worthy of attention and transformed into art. She will make you peer at the sidewalk, wondering about the origins of that dust, make you pocket that docket in the desire to transform into a collage of your day's events. While much of this book is her collected items, there is life to be found in her minute drawings of bugs and sausages, her tiny print and evidence of her personality is found within her dream based art. Contrary to the previous reviewer, I find this book marvellously and wonderfully beautiful. In the tiny collections and wry but subtle observations of Candy, her life is documented and her personality radiates to the reader. This book, seemingly a collection of food scraps and other tidbits, is evidence of her life, yes, but evidence of the beauty we can find within the seemingly mundane, the tiny, if only we give that bread crust, the leaves in the Pere La-Chaise and that dust a chance to be noteworthy.
Evidence: The Art of Candy Jernigan October 11, 2001 8 out of 8 found this review helpful
This weekend I read and looked through "Evidence: The Art of Candy Jernigan." It's a fast biography with lots of pictures from Candy Jernigan's journals. It's an amazing and inspiring book. Jernigan's journals aren't pretty but they are witty and wry and artistic. Candy included smears of food from her meals, dust collected from the steps of the Parthenon, and crack vials collected from the streets of New York. Toward the end of her life, she chronicled lists of the medications and treatments she took to fight liver cancer. (She died in 1991 at the ripe old age of 39.) Candy's journals show that she LIVED and lived big. It's a pity she's gone but we're lucky she was here and left her wonderful journals behind.
How well do you remember your last vacation? August 8, 2000 14 out of 14 found this review helpful
How well do you remember your last vacation? Or a great meal? What do you do to record the beauty around you? Do you notice the horrors of everyday life to which so many people are oblivious? Ms. Jernigan was a consumate story teller. Her stories are not of the obvious, but of the things most of us overlook, ignore and wish we could remember. Absorb this book and you'll never take a trip again without thinking of her work. This book is a true delight. The visual content is wonderful, the text informative and reserved, and the book's design and construction is almost as unique as the subject matter. If you are an artist, traveller - if you are alive - this book should be in you library. More importantly, in you life.
An intimate book about a little known artist May 26, 2000 14 out of 14 found this review helpful
This book is an absolute treasure! Evidence: The Art of Candy Jernigan, is an illustrated and collaged journal of her travels--around the world, as well as around the city. One feels almost like a voyeur--the book is that intimate. The book is FILLED with pictures; photocopies of her travel journal, as well as assemblages and paintings from her daily travels around the city. It is beautifully put together--so much so that it evokes a great deal of emotion. I wish I'd had a chance to meet her! This book came from Jernigan's wish to have "proof that I had been there." There is some irony in this statement, because she died in 1991 at the age of thirty-nine, and the book was published eight years after her death. As much as I DON'T like to compare artists, Candy Jernigan probably isn't a familiar name to many people. Having said that, I'll add that her art is reminescent of Joseph Cornell, Robert Rauschenburg, and Jasper Johns--but from a woman's point of view.
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